Ive tried all three filters and can definitely hear a distinct difference between them. This is definitely a fun musical sounding IEM rather than reference set. I received the BGVP DMG earphones today, and straight away the sound lived up to the hype.In Ear Monitor Music Earphones With Detachable MMCX Cable BGVP DMS DM7 DMG DM6.BGVP DMS 90 SOLD - Great condition, Only used for about 2 hours, I was hoping the knowles driver/7 Driver configuration would add more sparkle/clarity to what the DMG but It really only boosted the midrange, so I honestly prefer the DM6 in the BGVP Line I think its is in between the DMG and the DM6. And, at least to some extent, it’s real.Read bgvp earphone reviews and bgvp earphone ratings Buy bgvp earphone. The hype on the DM7 is huge. That’s the case at hand: the BGVP DM7 are heirs to the much-loved DM6, which have received appraisal from both critics and public. Some products leave a mark on the market, though, and the expectations on their successors are great.BGVP is a Dongguan, China-based company, which shot to fame with highly successful products, DMG and DM6. It retails at INR 14,999 from Headphone Zone, India. There is a bit more bass, but it is less dry than on the DM6 and it has more of the impact I wrote about above it is also not as fast and detailed, despite sounding more engaging and fun.DM6 is a dual DD and quad BA hybrid universal in-ear monitor from BGVP. TL DR: recap ProsBGVP DMG: BGVP’s cheaper (yet very capable) hybrids have a somewhat different tuning. The BGVP DM7 launch on Linsoul’s website and on Drop on May 6th at $299. Disclaimer: I received this complimentary sample from Linsoul Audio.Packaging & AccessoriesAs I detailed in the related Headphones in Pictures article, the BGVP DM7 come with a set of accessories that includes three pairs of silicone tips, three pairs of dual-density silicone tips and one pair of foam tips. Certainly the 6 character and the upper case G have a morphology that can look alike and can confuse some users as to think that both are the same model.Great technical ability, especially instrument separationUpdate: the rating has been adjusted from 9.5 to 9 to better reflect what the earphones offer compared to the new stuff on the market. The BGVP DMG vs BGVP DM6 configuration shows an hybrid 6-driver setup for the DMG and a 5-driver pure-balanced armature for the DM6.
The shell is in fact transparent, while the faceplate is coloured so that it almost looks like mother-of-pearl. They are basically identical to the DM6, save for the fact that – at least in the case of my unit – the faceplate does not have the same colour as the rest of the shell. Design & ComfortNever change something that works, right? That seems to be the thought behind the choice of BGVP, who did not alter the design of the shells when designing the DM7. Bgvp Dmg Vs Dm6 Drivers Into FourI haven’t tried to damage them for obvious reasons, but I expect the earphones to be durable and resistant if treated properly.In order to get this review out in relatively little time I used the DM7 intensely, hours at a time every day for a week. The balanced armatures themselves are encased in the resin.Build quality is very high: the earpieces appear rather sturdy, and the material seems of good quality. The only notable difference is the fact that there are now four sound tubes (or channels, or bores: they seem to have a lot of names) that separate the output of the balanced drivers into four groups. I guess they did for the DM6, too, as the shells are completely identical. The company also claims the shape of the shells was engineered thanks to a collaboration with Siemens, who provided access to a database with over 10 millions ears. This resin is then fed to a 3D printer that prints the shells. ![]() The main difference, as I mentioned, is the fact that the DM7’s cable is made of two different types of wires: one is brown-silvery, while the other is dark copper brown. Similarities go beyond this, as the cylinders (those near jack, Y-split and MMCX connectors) and the plastic ball used as chin slider are also identical. This prevents hearing damage – something any audiophile should be aware of.The cable reminds me of the Yinyoo brown 8-core silver-plated cable: it is almost identical both in look and in feel, as it is brownish (though it’s two different colours) and soft just like the other cable. This makes the DM7 ideal for use on public transport and in other similarly noisy conditions, as one doesn’t have to raise the volume to hear the music. ![]() This allows for the listener to hear smaller details even in crowded tracks where multiple instruments are playing at the same time and makes the whole sound be perceived as more detailed.The BGVP DM7 offers the listener a wide, spacious soundstage. You may conversely need an attenuator to lower the volume to acceptable levels!The DM7 surprised me with two things: first, the sound is always really clean and clear second, it is really dynamic, as the earphones are able to present the listener with loud and soft sounds at the same time while keeping both in focus. This configuration is easily driven by any source, given the low impedance and very high sensitivity. It’s not perfect, of course, but it’s a notch above what I’ve come to expect from in-ear headphones below $500.Bass reaches down to 30 Hz, but it’s barely audible at that point. This is especially surprising as there are many faint sounds that are still clearly audible despite their low volume. This positioning is deadly accurate.Instrument separation is nothing short of wonderful as not only can every instrument be listened to with great clarity, but there are many instruments that are often overshadowed by the rest of the music and that pop out instead. Every instrument has its place in this wide space, so it is easy to tell them apart just by paying attention to the direction the sound is coming from. The BGVP DM7 generally sound really spacious, but the impression of sound coming from around the listener is especially strong in some tracks. This is not entirely surprising, given the use of balanced armatures. They don’t feel like they generally lack bass, however, instead only feeling like they lack a bit of depth. Their signature could even be described as almost bass-shy – similarly to the Tin Audio T3. The DM7 therefore do not impress with their bass performance, at least from a quantity point of view. Hp laserjet p2035 driver for mac downloadOn the contrary, the mids are well balanced and easy to enjoy as no part seems to pop out to the detriment of other parts. It’s really enjoyable whichever genre one listens to, though the lack of presence in the lowest area may be an important deficit in some cases.Midrange sounds mostly neutral, with a possible touch of warmth that never becomes annoying or especially noticeable. All in all, the lower section is pretty impressive as it’s basically flat, with maybe a tiny bump in the mid-bass section, and thoroughly detailed. As one would expect, though, this speed almost never translates to physicality, as the balanced armatures aren’t capable of giving the listener the same feeling of impact as dynamic drivers. This makes bass sound very clear and clean and showcase a level of detail that’s remarkable. Bass is very well controlled and fast, with instruments sounding very detailed and with fast decay. This speed is also among the main causes behind the large quantity of details and their quality: the BGVP DM7 offers a whole lot of tiny details that are easy to hear – be it a musician in the orchestra drawing a breath or the pick hitting the strings of a guitar.Treble stands out for its level of detail: the DM7 portray even the smallest details and nuances, so one can really dive into the sound and try to catch all that. BGVP really nailed it with the tuning! I have come to expect fast transients from balanced armatures and the DM7 does not disappoint in this: drums, harps and other instruments that rely on impacts or other fast sounds (plucking of strings, etc) sound accurate and fast. This also makes any sibilance all but disappear. I wrote possible warmth because it’s so close to being neutral it’s hard to say whether there’s really any colouration going on. It really stands front and centre in the mix and it never goes behind bass or treble. Let me be clear on this: treble is airy and extended, with lots of detail in the whole area and good linearity. Despite using two balanced armatures for super-high frequencies, extension is not superb it is still more than acceptable and really good in general.
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